Marston House is a bungalow-style home that has been restored to its original state and preserved. It is located in San Diego, CA 92103. The property is located in the Otay Ranch area of San Diego, California and was built in 1908 by William Welles Marston and his wife, Anna Rogers Marston. The home is filled with original furniture and art from the Arts & Crafts movement and many artifacts from one of their favorite hobbies: pottery. The couple had an interest in pottery since childhood but didn’t begin making their own until after getting married. After creating a small studio for himself in their home, the two began selling their pottery commercially to help fund their passion.
Marston House Today
When the Marstons began their restoration of the home, they knew they wanted to keep the home’s original look and feel. They painted the home a pale yellow with white trim and built in-wall dining furniture. They also hung a collection of pottery that dates back to when the home was first built. Several decades after the restoration, a family member passed away and the Marstons were able to turn the home over to the National Trust for Historic Preservation. In 2000, the Marstons also donated several pieces of pottery for the museum’s collection, More about San Diego, CA. In the nearly 100 years since the home was built, San Diego has undergone some significant changes. Many of the original bungalow homes in the area have been torn down to make way for newer buildings. However, the Marston House has remained largely unchanged.
The Arts and Crafts Movement
The Arts and Crafts movement was a British cultural movement that began in the late 19th century. It was inspired by the romantic idealism of medieval art and literature and was a reaction to the industrial revolution and the machine aesthetic that came with it. The movement emphasized the beauty of hand-produced objects, woodwork, quilting, and other pastimes that were deemed “crafty.” The movement was in part a reaction to the machine aesthetic and industrial revolution, which emphasized the use of machines and mass production. The Arts and Crafts movement was heavily influenced by the writings of William Morris and was a revolt against the ugliness of the machine aesthetic.
William Welles Marston and the Origins of the “feminine” movement
In the late 19th century, a feminist movement developed in the United States seeking to empower women. Many believed that by focusing on women’s rights, they could end other social ills as well, including racism, class discrimination, and sexism. Women’s clubs and organizations, such as the Daughters of the American Revolution (DAR), were created to advance the cause. In 1894, the DAR organized the first National Congress of Women in order to help coordinate the many groups across the country. It was at this convention that the term “feminine” first appeared. The term was created by a group of women who proposed that the arts and crafts movement be called “the feminine movement.” It was meant to signify that a focus on aesthetics and creativity was also a way to empower women. Though the phrase was coined in 1894, it only caught on as a term for the arts and crafts movement in the early 20th century.
The Role of Women in the Arts and Crafts Movement
Although it was a movement for the arts and crafts, many would argue that the movement was primarily about women. In fact, the American Federation of Arts, which was the main organization promoting the movement, had an all-women board of directors. Women were also encouraged to pursue a career in art and were often given preferential treatment by art dealers. The movement was also a way for women to express their own unique aesthetic without feeling overshadowed by the aesthetic being used by men.
The movement was largely focused on the home and encouraged women to pursue things like pottery and knitting as hobbies. It also encouraged women to work together on projects like designing quilts, designing wallpaper, and designing home decor like pottery and furniture, Browse around this site.